Rhizome is dedicated to the creation, presentation, preservation, and critique of emerging artistic practices that engage technology. We support artists working at the furthest reaches of technological experimentation, as well as those responding to the broader aesthetic and political implications of new tools and media.
That Jetty is—by design—subject to the chaos of nature and decay. It was a place where, as Smithson wrote, “No ideas, no concepts, no systems, no structures, no abstractions could hold themselves together in the actuality of that evidence.”
"In a sense every work based on the Internet, or inspired by it, is opposed against the idea of originality. Everything in and of the Internet is a stimulus package for the endlessly derivative, in the same way that a mirror image is a derivative of an original. Not a copy, but a mirror."
"um i mean to be honest the first reason i dont show really is because being around gallery people for more than 5 or 10 minutes without being absolutely shitfaced is literally (Literally) in my top 3 least favorite things in the entire world."
For the traveler who desires a journey through space and time, a visit to Long Island City is highly recommended. The second iteration of Aram Bartholl’s DVD Dead Drop project is available at the Museum of the Moving image until October 27th. Titled INSERT DISC (produced in collaboration with Robert Sakrowski), the project presents a journey to the heyday of artist produced interactive CD-ROM’s: the 90’s.